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( from the presentation of the anthology exhibition 1969-2015 “ Chromatism and optical art”, International Gallery of Modern Art, Ca’ Pesaro, Foundation Museums of Venice ). For Ferruccio Gard, this is a happy season of renewed research on the theme of color and form, always a leitmotif of his artistic journey. The...

( from the presentation of the anthology exhibition 1969-2015 “ Chromatism and optical art”, International Gallery of Modern Art, Ca’ Pesaro, Foundation Museums of Venice ). While Vasarely’s purpose is to blunt, if not eliminate, any psychology, all references to the practice of painting of sentiment, the "heart", Gard’s is to...

(Elzeviro / Ferruccio Gard in Venice, Corriere della Sera, November 24, 2015). Someone called them "portraits of matter." That seem to vibrate, however, and living life own. Can a pure "color" to give emotions ?, we were asked. He also becomes the character? Through the play of light, space and form...

(Il Gazzettino, Venice, 16 October 2015). Despite having participated several times at the Venice Biennale and have exhibited in museumsin many European cities, this exhibition at the International Museum of Modern Art in Ca 'Pesaro It is certainly a celebration for Ferruccio Gard, in what has become his adopted city. And his...

(from the presentation of the exhibition “ Movement as a Message”, International Triennale of Contemporary Art, National Gallery in Prague, June- September 2008) Following a happy intuition that had flashed upon him back in the seventies, Ferruccio Gard returned to the heart of the element of colour and broadened it –...

( from the presentation of the anthological exhibition “ Ratio Picta”, Regione Piemonte, as part of the series “ The Living Piedmontese Masters”, Turin, Sala Bolaffi, December 2004 – January 2005 ) ….Gard, from the very outset, from his very first painted optical compositions, has sought nothing other than the Reason...

(from the presentation of the personal exhibition "La fissione del colore", Vicenza, Basilica Palladiana, April- May 2000) Ferruccio Gard’s art offers the most fascinating of traps: the rational frame of his visual discourse serves only as the mooring pole of a " Bateau Ivre", of an endless lyrical hypertrophy. I now...

(from the presentation of the personal exhibition "La fissione del colore", Belluno, Palazzo Crepadona; Cortina d’Ampezzo, Museo d’Arte Moderna "Mario Rimoldi", 1999). It is as if we were invited to admire -but from a safe distance- the infinite phenomenology of volcanic eruptions, or the processes of atomic fusion, or the adventures...

(from the presentation of the personal exhibition "La disarmonica armonia", Rovigo, Pinacoteca Accademia dei Concordi e Galleria Comunale d’Arte Moderna Peschiera Nuova, May-June 1999) Gard tends to regain the unity of the infinity broken by its necessary division into finite elements, felt as projections of the primitive archè. And so the...